{"title":"tax 0%","description":"\u003cp\u003e%0 KDV'li ürünler\u003c\/p\u003e","products":[{"product_id":"summer-to-summer-houses-by-the-sea","title":"Summer to Summer - Houses by the Sea","description":"\u003cp data-mce-fragment=\"1\"\u003eFrom the rocky coast of Maine to the sandy beaches of the Hamptons, from Nantucket to Newport, from Fire Island to Fishers Island, from Martha’s Vineyard to Provincetown, summer hours are as varied in style as the people who hightail it to the beach as soon as the temperature climbs. In this lushly illustrated book, author Jennifer Ash Rudick has sought out some thirty of the best.She invites us to a minimally decorated, Isamu Noguchi–designed home in Northeast Harbor, Maine, and Sister Parrish’s cozily decorated house in Dark Harbor, Maine. We imagine relaxing in comfortably cushioned rattan chair on the sun porch of a Nantucket house designed by Tom Scheerer, taking in the view of Long Island Sound through the glass curtain wall of a sleek house on Fishers Island, and feeling snugly cosseted in a tiny Provincetown cottage.All we need to do is settle back, kick off our shoes, and let the sun-kissed pages of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSummer to Summer\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewash over us.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAuthors: Jennifer Ash Rudick                                                                                      Photography by Tria Giovan\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e360 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e325 color illustrations\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yirmiyedi Kuzguncuk","offers":[{"title":"Default Title","offer_id":40135810842698,"sku":"PT0019","price":1936.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/products\/Summer-To-Summer_DJKT_Portrait.jpg?v=1667828556"},{"product_id":"monet-or-the-triumph-of-impressionism","title":"Monet, The Triumph of Impressionism","description":"\u003cp\u003eNo other artist, apart from J. 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The artist, who ignored Italian painting, was both praised and vilified. The temperament is precise technical violence, he was a creative master and a fugitive from justice. The most recent assessment is that history affects the past.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA valid and comprehensive catalog raisonné (catalogue exhaust with all known works) for Caravaggio is also Caravaggio. Reproduced as part of photographs. This allows the limits of personal realism to be set. The greatest and greatest novels of Caravaggio's best-selling days have been added to the most wanted list. 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Organized into chapters by theme, the catalogue explores how text, image, and ideas distill into a logo across \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eevents, fashion, media, music, and retailers\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeaturing work from both \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003estar names and lesser-known mavericks\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, this is an excellent reference for students and professionals in design and marketing, as well as for anyone interested in the \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003evisuals and philosophy behind brand identity\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"text_bookdetails_biographies py-2\"\u003e\u003cstrong\u003eAuthor: Julius Wiedeman\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"text_bookdetails_facts py-2\"\u003e\n\u003cul\u003e\n\u003cli\u003e14 x 19.5 cm\u003c\/li\u003e\n\u003cli\u003e664 pages\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Yirmiyedi Kuzguncuk","offers":[{"title":"Default Title","offer_id":40135855374410,"sku":"PT0036","price":510.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/products\/logo_design_hc_ko_int_3d_45451_1504091500_id_935752.png?v=1667831008"},{"product_id":"murakami-ego","title":"Murakami: Ego","description":"\u003cp data-mce-fragment=\"1\"\u003eA comprehensive volume—overseen by the artist himself—on one of the most renowned living artists today, Takashi Murakami. 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This book is a must-have for any decorator wanting to give their home a touch of Barratt-Campbell s distinctive style: the perfect blend of luxury and functionality. She reveals her trade secrets and shares her expert knowledge to ensure that your decorating project, however big or small in scale, achieves the look and finish you want.\u003c\/span\u003e","brand":"Yirmiyedi Kuzguncuk","offers":[{"title":"Default Title","offer_id":40135903477834,"sku":"PT0064","price":1342.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/products\/91_XCANf-vL.jpg?v=1667833759"},{"product_id":"contemporary-japanese-architecture","title":"Contemporary Japanese Architecture","description":"\u003cp data-mce-fragment=\"1\"\u003eThe contemporary architecture of Japan has long been among the most inventive in the world, recognized for sustainability and infinite creativity. No fewer than seven Japanese architects have won the Pritzker Prize.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSince Osaka World Expo ’70 brought contemporary forms center stage, Japan has been a key player in global architecture. With his intentionally limited vocabulary of geometric forms, Tadao Ando has since then put Japanese building on the world’s cultural map, establishing a bridge between East and West. In the wake of Ando’s mostly concrete buildings, figures like Kengo Kuma (Japan National Stadium intended for the Olympic Games, originally planned for 2020), Shigeru Ban (Mount Fuji World Heritage Center), and Kazuyo Sejima (Kanazawa Museum of 21st Century Art of Contemporary Art) pioneered a more sustainable approach. Younger generations have successfully developed new directions in Japanese architecture that are in harmony with nature and connected to traditional building. Rather than planning on the drawing board, the architects presented in this collection stand out for their endless search for forms, truly reacting on their environment.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePresenting the latest in Japanese building, this book reveals how this unique creativity is a fruit of Japan’s very particular situation that includes high population density, a modern, efficient economy, a long history, and the continual presence of disasters in the form of earthquakes. Accepting ambiguity, as seen in the evanescent reflections of Sejima’s Kanazawa Museum, or constant change and the threat of catastrophe is a key to understanding what makes Japanese architecture different from that of Europe or America.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis XL-sized book highlights 39 architects and 55 exceptional projects by Japanese masters—from Tadao Ando’s Shanghai Poly Theater, Shigeru Ban’s concert hall La Seine Musical, SANAA’S Grace Farms, Fumihiko Maki’s 4 World Trade Center, to Takashi Suo’s much smaller sustainable dental clinic. Each project is introduced with photos, original floor plans and technical drawings, as well as insightful descriptions and brief biographies. An elaborate essay traces the country’s building scene from the Metabolists to today and shows how the interaction of past, present, and future has earned contemporary Japanese architecture worldwide recognition.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e“Delving into ancient traditions and open to the most contemporary thought and technical capacities, the Japanese are a force to be reckoned within contemporary architecture.”\u003c\/p\u003e","brand":"Yirmiyedi Kuzguncuk","offers":[{"title":"Default Title","offer_id":40135915470922,"sku":"PT0071","price":1600.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/products\/open-uri20210609-13054-19o9tgi.jpg?v=1667834507"},{"product_id":"matisse-the-books","title":"Matisse: The Books","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe livre d'artiste, or 'artist's book', is among the most prized in rare book collections. Henri Matisse (1869-1954) was one of the greatest artists to work in this genre, creating his most important books over a period of eighteen years from 1932 to 1950 - a time of personal upheaval and physical suffering, as well as conflict and occupation for France. Brimming with powerful themes and imagery, these works are crucial to an understanding of Matisse's oeuvre, yet much of their content has never been seen by a wider audience. In Matisse: The Books, Louise Rogers Lalaurie reintroduces us to Matisse by considering how in each of eight limited-edition volumes, the artist constructs an intriguing dialogue between word and image. She also highlights the books' profound significance for Matisse as the catalysts for the extraordinary 'second life' of his paper cut-outs. In concert with an eclectic selection of poetry, drama and, tantalizingly, Matisse's own words, the books' images offer an astonishing portrait of creative resistance and regeneration. Matisse's books contain some of the artist's best-known graphic works - the magnificent, belligerent swan from the Poesies de Stephane Mallarme, or the vigorous linocut profile from Pasiphae (1944), reversed in a single, rippling stroke out of a lake of velvety black. In Jazz, the cut-out silhouette of Icarus plummets through the azure, surrounded by yellow starbursts, his heart a mesmerizing dot of red. But while such individual images are well known, their place in an integrated sequence of pictures, decorations and words is not. With deftness and sensitivity, Lalaurie explores the page-by-page interplay of the books, translating key sequences and discussing their distinct themes and creative genesis. Together Matisse's artist books reveal his deep engagement with questions of beauty and truth; his faith; his perspectives on aging, loss, and inspiration; and his relationship to his critics, the French art establishment and the women in his life. In addition, Matisse: The Books illuminates the artist's often misunderstood political affinities - in particular, his decision to live in the collaborationist Vichy zone, throughout World War II. Matisse's wartime books are revealed as a body of work that stands as a deeply personal statement of resistance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e26.7 x 3.5 x 32 cm\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yirmiyedi Kuzguncuk","offers":[{"title":"Default Title","offer_id":40135957708874,"sku":"PT0072","price":1775.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/products\/71COzHwkWVL.jpg?v=1667924486"},{"product_id":"the-monocle-book-of-japan","title":"The Monocle Book of Japan","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEver since it launched in 2007, \u003c\/span\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003eMonocle\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e has had a rich and deep connection with Japan. From day one the magazine has had a Tokyo bureau – which today also encompasses a Monocle shop and radio studios – run under the watchful eye of Asia bureau chief Fiona Wilson.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOver the past decade the magazine has built up a unique understanding and passion for the nation. It has covered everything from a live journey on the Emperor’s jet and the tastiest places to eat in Kagoshima to the fashion designers crafting new levels of excellence and the businesses with remarkable stories untold outside Japan.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new book reveals the best of the nation in the run up to the 2020 Olympics. 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Few countries are as powerful as Italy. Energetic, mysterious and effortlessly cool, it is a land of chic beach clubs, hilltop towns steeped in tradition and cities brimming with charm. Its cuisine is celebrated worldwide, its design aesthetic synonymous with both functionality and style and home to the undisputed fashion capital; Italy’s appeal is undeniable.\u003c\/p\u003e\n\u003cp\u003eCovering everything from design, architecture and culture to food, fashion and current events, The Monocle Book of Italy is brimming with insight and fully illustrated with specially commissioned photographs to paint a unique portrait of the country. From the steamboats of Venice and the boutiques of Milan to the family-run trattorias of Trieste and the sunny shores of Sicily, discover the people, places and traditions that define this fascinating country. La dolce vita has never looked so good.\u003c\/p\u003e\n\u003cp\u003eIllustrated in full color throughout\u003c\/p\u003e\n\u003cp\u003e304 pages\u003cbr\u003e9.2 x 1.1 x 12.2 inches\u003c\/p\u003e","brand":"Yirmiyedi Kuzguncuk","offers":[{"title":"Default Title","offer_id":40136034222154,"sku":"PT0075","price":4090.5,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/files\/italy.jpg?v=1727094557"},{"product_id":"the-monocle-book-of-the-home","title":"The Monocle Book of the Home","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGood homes are places where lives unfold, families grow up, dogs jump on sofas, and friends share meals. They’re also spaces to find some solitude—a quiet corner to read a book or have a Saturday afternoon nap. Homes need to do it all—they sustain you, inspire you, and tell your story through architecture, design, and collections.Monocle has always celebrated everything that makes a space a home when covering residences—whether featuring a city hideaway, a modernist seaside residence, or a summer outpost in a forest. The Monocle team brings this all together in one volume that explores individual homes, housing projects old and new, communities of self-builders, even whole neighborhoods where a simple philosophy of building well has created quality of life for many.The Monocle Book of the Homes\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e23.37 x 2.54 x 30.99 cm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yirmiyedi Kuzguncuk","offers":[{"title":"Default Title","offer_id":40136055849034,"sku":"PT0076","price":1365.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/products\/qqqqqqqqqqqqq.png?v=1667924134"},{"product_id":"art-deco-the-twentieth-centurys-iconic-decorative-style-from-paris-london-and-brussels-to-new-york-sydney-and-santa-monica","title":"Art Deco: The Twentieth Century's Iconic Decorative Style from Paris, London, and Brussels to New York, Sydney, and Santa Monica","description":"\u003cp\u003eArt deco is the 20th century's most glamorous architectural style, and the one that shaped popular ideas of modern luxury. With over 200 photographs, this is a visual celebration of this very popular style. Unlike most other books on the subject that tend to be regionally specific, this book highlights Art Deco buildings from all over the world, from Australia to South America, with an emphasis on London, Los Angeles, New York, Chicago, Miami, and Paris. Art Deco features much careful and exacting detail, and of special interest in this book are photos that zoom in on murals, mosaics, flooring, ironwork, and other ornamental flourishes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eArt Deco began in 1925 and quickly swept the globe becoming the style epitomizing Jazz Age glamor and sophistication. It drew from a variety of influences including ancient Egyptian, Moorish, and Mayan motifs but also modernist movements like Cubism, Fauvism, and De Stijl. Its influence was felt everywhere, from the skylines of New York to Shanghai, and it gained prominence not only with architects and designers but enjoyed a passionate following among the public as well.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003e224 pages\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Yirmiyedi Kuzguncuk","offers":[{"title":"Default Title","offer_id":40136084422730,"sku":"PT0065","price":1410.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/products\/9780847866106.jpg?v=1667837415"},{"product_id":"classic-cars-a-century-of-masterpieces","title":"Classic Cars: A Century of Masterpieces","description":"\u003cul class=\"a-unordered-list a-vertical\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA ride through the most coveted cars of the twentieth century, offering sumptuous colour photography and stunning close ups\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cspan class=\"a-list-item\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEvery featured vehicle has risen significantly in price over the past five to ten years\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan class=\"a-text-italic\" data-mce-fragment=\"1\"\u003e\"These are the cars that most collectors would want to own for their looks, character, performance and driving enjoyment. They all broke the mould.\"\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e - Simon de Burton\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSimon de Burton journeys through some of the most coveted cars of the twentieth century.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the Alfa Romeo 6C to the Porsche 996 GT3, the author has chosen cars from each decade from the 1930s to the end of the twentieth century, his choices made from the perspective of the enthusiast and collector. All are considered 'milestone' cars and all have risen substantially in value in the past five to ten years. They are not all necessarily the fastest, rarest or most valuable cars, but they are all highly significant and highly regarded.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThese are the cars that should have been bought when they were new and kept for the future - now that they are truly desired.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFeatures cars from across the varied spans of time, price and purpose, including: Lancia Lambda, Austin Seven, Volkswagen Beetle, Jaguar C-Type, Citroen DS19, Ford Mustang, DeLorean DMC 12, McLaren F1.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLanguage : English\u003cbr\u003ePublisher : ACC Art Books\u003cbr\u003eRelease date : 26 September 2018\u003cbr\u003eDimensions : 24.77x3x29.85cm\u003c\/p\u003e","brand":"Yirmiyedi Kuzguncuk","offers":[{"title":"Default Title","offer_id":40553285713994,"sku":"PT0010","price":2892.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/files\/61RUdcdSziL._SL1400.jpg?v=1701081829"},{"product_id":"david-hockney-a-bigger-book","title":"David Hockney. 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So, where is this ship heading? While the recent spate of disasters and crises has further deepened the uncertainties within society, the trajectory of the arts and culture world in this chaotic environment is a matter of great curiosity.\u003c\/p\u003e\n\u003cp\u003eTo understand this uncertainty, we listened to pioneers in their fields, such as Hüsamettin Koçan, Şebnem İşigüzel, Gündüz Vassaf, Özcan Yaman, Uras Kızıl, and Gökçer Tahincioğlu. Their assessments emphasized that art is not only a tool for individual creativity but also a powerful bond that brings society together. They emphasized that art should pave the way for collective action to alleviate the burdens brought on by crises and strengthen social solidarity. If you are curious about this hopeful perspective, take a look at our feature article.\u003c\/p\u003e\n\u003cp\u003eSpeaking of the dossier, to lift our spirits and warm our hearts, we've also prepared a special issue where we explore the inspiring love stories of art, free from the trappings of consumerism. We focused on couples whose artistic productions were nourished by their relationships and reflected these dialogues in their creativity. Our list includes names like Gilbert \u0026amp; George, Ted Hughes \u0026amp; Sylvia Plath, Rondinone \u0026amp; John Giorno. If you'd like to explore the depth these special relationships bring to art, this dossier is for you.\u003c\/p\u003e\n\u003cp\u003eThis issue also features pages commemorating Arhan Kayar, whom we recently lost. From the early 1990s onward, Kayar dedicated significant contributions to Turkey's creative industries. Until his unexpected passing, he encouraged creativity in every sense, developing collaborative projects with individuals in diverse fields. These pages, where we speak with a wide range of figures, from Hüseyin Çağlayan to Seyhan Özdemir and Sefer Çağlar, from Aldo Cibic to Refik Anadol, and focus on his work, serve as a farewell.\u003c\/p\u003e\n\u003cp\u003eOver the past few months, some activity has been stirring curiosity at Markiz, one of Istanbul's most important cultural landmarks, which has been closed for a long time. We've learned that Markiz will host the \"Terrifying Beauty\" project by the artist duo :mentalKLINIK in March, in collaboration with PİLEVNELİ. On this occasion, let's heed these lines Haldun Taner wrote about Markiz in 1983: \"...Here, every table was like a small island. You could find your own quiet space amidst the crowd. You could escape tiring conversations and meaningless arguments and find peace for an hour. The occasional appearance and disappearance of Avedis Efendi in his apron was a detail that completed the serenity of the space. Markiz was one of the places I missed most when I left Istanbul. People need such spiritual refuges. In difficult times, I would go there and find myself.\"\u003c\/p\u003e\n\u003cp\u003eThese lines from Haldun Taner are like a legacy that endures today. We all need such sanctuaries where we can rest our souls and find ourselves. The fact that Markiz, once the pearl of Istanbul, has been revitalized through art while preserving its historical fabric gives us hope. To celebrate this transformation, we've featured Markiz on the cover of our magazine this month. The photographs taken by Serkan Eldeleklioğlu at midnight, capturing Markiz's captivating atmosphere, immortalize this special moment. As Haldun Taner mentioned in this new year's first issue, we hope each of these pages will be a spiritual haven, inviting you to think, feel, and find peace.\u003c\/p\u003e","brand":"ArtDog İstanbul","offers":[{"title":"Default Title","offer_id":42519246635082,"sku":"AT0001","price":250.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/files\/ArtDog_Cover_26.jpg?v=1757420501"},{"product_id":"artdog-istanbul-issue-29","title":"ArtDog Istanbul Issue 29","description":"\u003cp\u003e\u003cspan\u003eJuly – August 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIssue \u003cspan class=\"gmail-il\"\u003e29\u003c\/span\u003e is Now Available!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA LETTER FROM THE EDITOR\u003cbr\u003eCYPRUS SPECIAL ISSUE\u003cbr\u003eCyprus, a place we know by heart as the \"baby homeland,\" has recently become known by mafia names, a hub for casinos and money laundering...\u003c\/p\u003e\n\u003cp\u003eYet, neither this \"baby homeland\" description nor the perception that it's a hub for a network of shady dealings suffices to understand Cyprus. These approaches remain quite superficial, provisional, and reductive.\u003c\/p\u003e\n\u003cp\u003eAbout a month ago, when I was invited to Cyprus for a press tour, I paused. I was surprised. I wrote a few words and did some research online. I discovered that a university called ARUCAD, focused solely on art and design, had been established. The same institution also housed a Rodin Museum. A gallery called Art Rooms was part of this initiative. Perhaps it was my blindness, but I hadn't been aware of what was happening in Cyprus for a long time, not just in recent years.\u003c\/p\u003e\n\u003cp\u003eThe last time I went to Cyprus was when I was a child, my late father took us there. My father was an intellectual man who read extensively, spoke many languages, had a zest for life, and was friends with artists and journalists. He must have taken us to Cyprus not once, but several times. I was very young then, but Cyprus left a mark on my mind. Such a man certainly didn't go there looking for a casino. He cared about the history and cultural fabric of Cyprus. We had many books about Cyprus in our home. Moreover, I'm certain this interest wasn't due to any nationalistic tendencies. Having lost my father so young, I never had the opportunity to ask him why Cyprus was important to him. However, years later, with an invitation from Banu Zeytinoğlu and her team to visit Cyprus, this island, etched in my memories, returned to my mind.\u003c\/p\u003e\n\u003cp\u003eI decided to go, not with great expectations, but also by putting aside my preconceived notions about the negative perceptions that had developed in recent years.\u003c\/p\u003e\n\u003cp\u003eAnd Cyprus opened the doors to a completely different world for me. Anber Onar's exhibition \"In Case…,\" curated by Oya Silbery at Art Rooms, was one of the most impressive exhibitions I've seen in recent years. Curator Oya Silbery, who is also the gallery's artist, is a jack of all trades. ARUCAD University, which focuses solely on art and design and offers education in historic, low-rise buildings, boasts an international student and faculty staff. It has such a charming, characterful, and Mediterranean campus that it makes you want to come back.\u003c\/p\u003e\n\u003cp\u003eIt was through this trip that I met Emin Çizenel, a star-studded academy graduate. Çizenel, an artist whose unique style and personality will captivate wherever he travels, is perhaps a shame for me not having heard of him before. Hüseyin Özinal, whose interview you'll read in this issue, is someone with deep concerns you'll want to talk to for hours. Artist Anber Onar is one of Cyprus's leading cultural figures. He has undertaken significant projects through the currently defunct initiative SideStreets.\u003c\/p\u003e\n\u003cp\u003eİsmail Gökçe, who created the photographs in this issue, is also a notable artist with his photography exhibitions.\u003c\/p\u003e\n\u003cp\u003eAnd Asil Köylü, whom we feature on the cover. The central figure behind the cultural and artistic scene in Cyprus is businessman and artist Erbil Arkın, who is also a Rodin collector. Arkın, who immigrated to England with his family at the age of three, began painting at a very young age. He was so talented that his teachers encouraged him to pursue this path. However, financial constraints forced him to change departments. At sixteen, he fell in love with a Rodin sculpture he saw in a museum. Two years later, upon his first visit to Cyprus, he was so excited he asked, \"Was I born here?\" Arkın realized his dream of establishing a university focused solely on art and design. His other big dream is the massive monumental sculpture designed for installation in the Karpaz region of Cyprus: Noble Villager.\u003c\/p\u003e\n\u003cp\u003eThe university's newly opened Bandabulya performance stage, the İskele Art Hotel, which houses hundreds of works of art, and much more…\u003c\/p\u003e\n\u003cp\u003eIn this issue, we've brought together the topics that first caught our eye in Cyprus and truly deserve to be mentioned. Our Cyprus section is not yet complete; there are many more names and stories to tell.\u003c\/p\u003e\n\u003cp\u003eI don't think we've ever truly understood Cyprus, or even formed a proper opinion about it. This issue is the product of our effort to look at Cyprus from a perspective outside established perceptions. It's also an issue in which we specifically emphasize the extremely exciting developments taking place in the field of culture and art on Cyprus, one of the Mediterranean's most important islands.\u003c\/p\u003e\n\u003cp\u003eThis issue also features the second part of Dick Van Zuijlen's interview with AI, \"Just Asking,\" which we featured on the cover of the previous issue. Following the first part, the author and the AI engage in a rather philosophical conversation. It seems we'll be reaching a critical juncture in the next part of this series...\u003c\/p\u003e\n\u003cp\u003eYes, in the third part, a new artificial intelligence will be designed. Could a machine mind be built that maintains its integrity even under pressure, focused on seeking the truth?\u003c\/p\u003e\n\u003cp\u003eIt is neither perfect. Nor obedient. Nor human-like.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ArtDog İstanbul","offers":[{"title":"Default Title","offer_id":42519248306250,"sku":"AT0004","price":350.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/files\/ArtDog_Cover_29-600x865.jpg?v=1757420745"},{"product_id":"artdog-istanbul-issue-28","title":"ArtDog Istanbul Issue 28","description":"\u003cp\u003e\u003cspan\u003eMay – June 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIssue 28 is Now Available!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLETTER FROM THE EDITOR\u003cbr\u003eA Conversation with AI\u003cbr\u003eThe cover image was designed by Artificial Intelligence (AI). We gave the AI the text of the article titled \"Just Asking,\" which you'll find in this magazine's pages, and asked it to design an image that would fit the article. The image we chose for the cover is one of the images AI created for this article. This image immediately forces us to stop and think, even if only for a few seconds. It's a visual language that depicts a world full of uncertainty: a field covered in fog, traffic lights... The human figure we see from behind, stopped at an orange traffic light, a question mark in the sky amidst the fog.\u003c\/p\u003e\n\u003cp\u003eIt makes us pause and think for a moment. Just like the interview on the following pages. The article, titled \"Just Asking: A Conversation with the Artificial Intelligence That Doesn't Sleep, But Watches With Full Attention,\" is actually the text of Dick van Zuijlen's conversation with the Artificial Intelligence. We once again enlisted the help of AI to translate the conversation, originally in English, into Turkish. Naturally, as editors, we carried out our usual editing and trimming, bringing the piece to its final form. While the content of this piece isn't directly related to art, it is directly connected to the state of the world we live in. Therefore, it's on our radar. We've always held social issues close to our hearts; we've created numerous feature stories and hosted interview series in this regard, and we will continue to do so.\u003c\/p\u003e\n\u003cp\u003eWhen we received our author's conversation with ChatGPT, we clearly understood that we were at a turning point. We're confident that when you read it, you'll witness the potential, power, and \"intelligence\" of AI, a concept that has entered all of our lives in one way or another; you'll gain a full understanding of the capabilities of an Artificial Intelligence talking to a human. Immediately after Trump's election, the AI answered our author's questions, based solely on curiosity and what it had read, not only to the best of its knowledge; it also questions the other person's intentions and stances. As our human writer asks questions about the state of the world, the AI in front of him tries to understand him, to solve them, to grasp the kind of mind he's talking to. Then, together, they ponder the state of the world. Curious about each other, sometimes agreeing, even reaching an agreement. The resulting conversation is quite intriguing; it's quite chilling to read.\u003c\/p\u003e\n\u003cp\u003eTo the human questioning the state of a world filled with uncertainty, the AI asks, in the crudest terms, questions between the lines: \"Why are you asking me these questions?\", \"Who are you, what are you interested in?\", and \"What are you trying to do?\" Together, they reveal the chaotic state of the world behind the fog. As two intelligences, one human and the other machine, discover each other, the result is a mind-opening conversation you'll long to hear more about.\u003c\/p\u003e\n\u003cp\u003eWith the magic of this conversation, we wanted to leave a historical record; to document what was happening in these relatively early days when machines and humans began to converge. We have no idea where the relationship between AI and humans will go in 30 years, or what this magazine you are holding in your hands will evolve into. All we know is that we are shrouded in a global fog about what tomorrow will hold, and that what emerges from the interaction between AI and the human mind in this new world will be the most important factor that will determine our future.\u003c\/p\u003e\n\u003cp\u003eWe hope you read the article we've included on the cover with this perspective.\u003c\/p\u003e\n\u003cp\u003eEvrim Altuğ wrote a wonderful article about Teoman Madra, who recently passed away. Entitled \"Teoman Bey...\", the article offers a valuable opportunity to understand the perspective and mind of Teoman Madra, a pioneer of experimental photography, video art, and digital art in Turkey, who left his mark not only on artistic production but also on the idea of democratizing art.\u003c\/p\u003e\n\u003cp\u003eCeren Erdem and Bilge Kalfa, curators of the Turkish Pavilion at the 19th International Architecture Exhibition at the Venice Biennale, discussed their work \"Yerebasan\" (Groundhog Day) with Bahar Turkay.\u003c\/p\u003e\n\u003cp\u003eWhile dogs across the country are being brutally slaughtered under a law that completely defies reason, logic, humanity, conscience, and even the flow of life, an exhibition titled \"The Life of Animals\" opened at SALT, exploring the evolving relationship between humans and animals throughout history. Focusing on the human-animal relationship, which extends from shared existence to domination, the exhibition's intellectual center is comprised of works by German-Iraqi activist artist Lin May Saeed, whose work satirizes cruelty towards animals.\u003c\/p\u003e\n\u003cp\u003eTaner Ceylan and Rugül Serbest collaborated for a year, resulting in a unique exhibition. Under Ceylan's mentorship, you'll find a special conversation with Sine Ergün about the artist and curator's journey, as well as the exhibition \"You Die Like You Are Smiling at My Eyes (Illustrated Heart Anatomy)\" at Pi Artworks Istanbul.\u003c\/p\u003e\n\u003cp\u003eBringing together the best of culture and art.\u003c\/p\u003e","brand":"ArtDog İstanbul","offers":[{"title":"Default Title","offer_id":42519252271178,"sku":"AT0003","price":250.0,"currency_code":"TRY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/files\/ArtDogIstanbul_28_Kapak-600x865.jpg?v=1757420911"},{"product_id":"artdog-istanbul-issue-27","title":"ArtDog Istanbul Issue 27","description":"\u003cp\u003eMarch – April 2025\u003c\/p\u003e\n\u003cp\u003e“İnsan Nedir?” Issue is Now Available!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA LETTER FROM THE EDITOR\u003cbr\u003eWhat is Human?\u003cbr\u003eThis month, we featured a still from \"Human,\" a piece choreographed by British choreographer and dancer James Sutherland, featured in the Ankara Modern Dance Company (Ankara MDT) program at the State Opera and Ballet, on our cover.\u003c\/p\u003e\n\u003cp\u003eIn a world challenged by climate crisis, recurring wars, the winds of fascism sweeping the globe, and finally, artificial intelligence, the question \"What is human, especially in the age of artificial intelligence we find ourselves in?\" Sutherland, questioning a very valid issue, says, “When spiritual and physical capacities combine, depending on time and place, an incredible power emerges that propels us forward. For example, a mother whose child has been run over by a bus might unleash an extraordinary strength to save her child. Questions like, ‘How can they do this?’ and ‘Where does this power come from?’ lead us to the answer, ‘This is what makes us human.’ This potential can take us to a completely different level, with countless possibilities. Artificial intelligence is not at this level, and it never will be. This fascinated me, and I began to think about how I could express this in dance. That's how I came to the idea of ‘Human,’ and I thought it could be a wonderful dance performance. I hope that's what you see on stage…” Read the exclusive interview where he says, “MDT, established in Ankara in 1992 within the State Opera and Ballet General Directorate, with Beyhan Murphy as its general artistic director, has produced over 80 works by Turkish and international choreographers since its opening.” MDT, under the artistic direction of Bürge Kayacan, continues its performances and domestic and international tours, with periodic performances at the Ankara Opera House and new works added to its repertoire each year.\u003c\/p\u003e\n\u003cp\u003eDr. Fırat Arapoğlu's article, \"On Ahmet Güneştekin's Lost Alphabet Exhibition,\" questions whether Güneştekin's art truly opens up a new critical space by bringing the past into the present, or whether it merely functions as a tool of cultural capital that transforms art into a luxury item.\u003c\/p\u003e\n\u003cp\u003eIn her article, \"Diversity in Art, Trump, and the White Man Among Us,\" Sine Ergün examines how Trump's decrees and rhetoric during his brief tenure in the US threaten the field of culture and arts in terms of diversity, equality, and inclusivity. Similar policies are observed in various forms in many countries where conservatism is on the rise. She asks, \"In these times when minority rights, the foundation of diversity in art, are at risk, is the \"white man\" among us also siding with Trump?\" As spring approaches, we're bringing you some very important exhibitions. The exhibition \"A Route at the Edge of the Mind,\" curated by Ebru Nalan Sülün at the Erimtan Archaeology and Art Museum with support from Bor Sanat, focusing on Fikret Muallâ's creative periods, and the articles on the Ömer Uluç retrospective at Istanbul Modern, written with exquisite prose by Evrim Altuğ, are insightful.\u003c\/p\u003e\n\u003cp\u003eThe feature, \"Artificial Intelligence in Art: The Future or a Threat?\" by Sine Ergün, delves into the topic with experts in the field.\u003c\/p\u003e\n\u003cp\u003eIn this issue, we've compiled topics we believe will inspire and broaden your horizons. May you have an inspiring spring, fueled by the transformative power of art.\u003c\/p\u003e","brand":"ArtDog İstanbul","offers":[{"title":"Default Title","offer_id":42519258988618,"sku":"AT0002","price":250.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/files\/ArtDog_Cover_27_1.jpg?v=1757421113"},{"product_id":"artdog-istanbul-issue-30","title":"ArtDog Istanbul Issue 30","description":"\u003cp\u003eArtDog Istanbul September - October 2025\u003cbr\u003e“GAZA BIENNIAL ISTANBUL PAVILION”\u003c\/p\u003e\n\u003cp\u003eLETTER FROM THE EDITOR\u003c\/p\u003e\n\u003cp\u003eSeptember isn't just a calendar start for Istanbul; it's the reviving heart of culture and art. In this issue, we follow three main axes that shape the city's rhythm:\u003cbr\u003eThe Gaza Biennial – Istanbul Pavilion, opening at Depo; the 18th Istanbul Biennial, with its three-year model; and Contemporary Istanbul, celebrating its 20th anniversary. Each one goes beyond exhibitions and touches upon the need for social memory, ethical responsibility, and solidarity.\u003cbr\u003eThe Gaza Biennial's Istanbul Pavilion, with contributions from artists such as A Cloud in My Hand, Alfredo Jaar, and Walid Raad, explores ways to create and foster solidarity in the face of war and destruction. The Istanbul Biennial, titled \"Three-Legged Cat,\" breaks conventional patterns with its structure spanning from 2025 to 2027. It establishes a space for thought and discussion spanning time. In its 20th year at Tersane Istanbul, Contemporary Istanbul brings together both past and present in the same memory with works ranging from Alexander Calder to Julie Mehretu.\u003c\/p\u003e\n\u003cp\u003eIn this issue, we also feature the idea of \"ZERO,\" conceived in partnership with humans and artificial intelligence. ZERO is conceived as a model that prioritizes truth, can monitor its own consistency, and can make contradictions visible. This concept, which maintains its integrity even under pressure, actually reminds us of the role of art today: to make the invisible visible, to enable questioning, and to serve as a compass in moments of crisis.\u003c\/p\u003e\n\u003cp\u003eThis is precisely where the excitement of the new season lies. Biennials, fairs, and pavilions invite not only to look, but to see; not only to watch, but to participate.\u003c\/p\u003e\n\u003cp\u003eThis autumn, art will once again be our most powerful language, taking the pulse of the city and simultaneously embodying fragility and resilience.\u003c\/p\u003e\n\u003cp\u003eŞebnem Kırmacı - Editor-in-Chief of ArtDog Istanbul\u003c\/p\u003e\n\u003cp\u003eCover: Yasmeen Al Daya, Hayatt, kiln clay, variable sizes, 2024. Presented as a diasec print by the Istanbul Pavilion. ©Yasmeen Al Daya. Courtesy of the artist and House of Taswir.\u003cbr\u003eCover Design: Burcu Ocak\u003c\/p\u003e","brand":"ArtDog İstanbul","offers":[{"title":"Default Title","offer_id":42578217369674,"sku":"AT0005","price":350.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/files\/ARTDOG_ISTANBUL_ISSUE_30.jpg?v=1758892817"},{"product_id":"artdog-istanbul-issue-31","title":"ArtDog Istanbul Issue 31","description":"\u003cp\u003eNovember – December 2025 “The World Has Never Been This Good”\u003c\/p\u003e\n\u003cp\u003eLETTER FROM THE EDITOR\u003cbr\u003eAt the End of a Year\u003c\/p\u003e\n\u003cp\u003eAs we approach the end of 2025, the world, art, and humanity still revolve around the same question: Amidst all the noise, speed, and information, what can we truly pay attention to?\u003c\/p\u003e\n\u003cp\u003eRyan Gander, featured on the cover of this issue, speaks from the very heart of this age. According to him, gazing at a work of art for a long time is not only an aesthetic experience but also a form of resistance. Because meaning is formed not in the rapidly flowing images, but in the eye that pauses to observe. And amidst all this chaos, Gander says something surprising:\u003c\/p\u003e\n\u003cp\u003e“The world has never been so good.”\u003c\/p\u003e\n\u003cp\u003eWhen you read the entire interview, you understand that this is an ironic statement, almost a warning. Because this sentence also carries an awareness of the approaching end, of exhaustion, of the world changing before our eyes.\u003c\/p\u003e\n\u003cp\u003eThe end of 2025 is not only a closing, but also an opportunity for rethinking. These years, following the pandemic, wars, and crises, have pushed us to get lost in the speed. But art, on the contrary, demands that we remain in an exhibition hall, in front of a photograph, within a sentence.\u003c\/p\u003e\n\u003cp\u003eThe articles in this issue address this conscious slowing down, awareness, gaze, and resistance from different perspectives: Dick van Zuijlen's interview with the AI character ZERO rethinks the boundaries between human and machine in a poetic dialogue.\u003c\/p\u003e\n\u003cp\u003eAutoban, entering its third decade, explains how contemporary art is indispensable to the worlds it constructs. The transitions it creates between space and time remind us of the spirit of place against the speed of life.\u003c\/p\u003e\n\u003cp\u003eThe \"Young or Late?\" dossier questions how the new generation of artists weigh production against time, risk against maturity.\u003c\/p\u003e\n\u003cp\u003eThe \"What Happened in 2025?\" dossier records the art panorama of a year ranging from protests to losses, from exhibitions to solidarity.\u003c\/p\u003e\n\u003cp\u003eAs we enter 2026, the ArtDog Istanbul team's wish is simple but powerful: To continue to look, listen, and understand. Not forgetting the seriousness of gazing at a work of art for an extended period, the value of dedicating time to a word, a sound, an image. Because this was the clearest truth 2025 taught us: In a world where everything is rapidly erased, only attention remains.\u003c\/p\u003e\n\u003cp\u003eMay 2026 bring us all that attention, that depth, that state of remaining human.\u003c\/p\u003e\n\u003cp\u003eWith art, with patience, with persistence.\u003c\/p\u003e\n\u003cp\u003eŞebnem Kırmacı – Editor-in-Chief, ArtDog Istanbul\u003c\/p\u003e\n\u003cp\u003eCover: “The story teller: The sense that you are a part of a flow of a thing,” 2025. An animatronic field mouse partially visible through a crack in the gallery wall, 2024. Animatronic mouse, sound, Dimensions variable ©️ Ryan Gander; Courtesy of the artist and Camden Arts Projects, London. Photograph: Deniz Güzel\u003c\/p\u003e\n\u003cp\u003eCover Design: Burcu Ocak\u003c\/p\u003e\n\u003cp\u003ePUBLICATION INFORMATION\u003c\/p\u003e\n\u003cp\u003eARTDOG ISTANBUL Art Investments Inc. On behalf of\u003cbr\u003eBoğaçhan Buğra Kaya \u0026amp; Şebnem Kırmacı\u003c\/p\u003e\n\u003cp\u003eGENERAL EDITOR\u003cbr\u003eŞebnem Kırmacı\u003c\/p\u003e\n\u003cp\u003ePUBLICATION CONSULTANT\u003cbr\u003eTahir Özyurtseven\u003c\/p\u003e\n\u003cp\u003eMANAGER OF EDITORIAL SERVICE\u003cbr\u003eSibel Oral\u003c\/p\u003e\n\u003cp\u003eEDITORS\u003cbr\u003eSemra Dursun, Şeyma Elaman Üstün, Sine Ergün, Idil Sancar, Hatice Utkan Özden\u003c\/p\u003e\n\u003cp\u003eADVERTISING\u003cbr\u003eİpek Peker ipek@artdogistanbul.com\u003c\/p\u003e\n\u003cp\u003eMARKETING AND COMMUNICATION\u003c\/p\u003e\n\u003cp\u003eAyşe Nur Ayan aysenur@artdogistanbul.com\u003c\/p\u003e\n\u003cp\u003eDIGITAL DESIGN\u003cbr\u003eBüşra Kaplan, Burcu Ocak\u003c\/p\u003e\n\u003cp\u003eCONTRIBUTORS\u003cbr\u003eHale Albayrak, Evrim Altuğ, Murat Cem Baytok, Büşra Erkara, Bert Van Horck, Onur Kaya, Beral Madra, Timuçin Oral, Aylin Çaylak Yegül, Cem Yegül, Didem Yeşilova, Didem Çaylak van Zuijlen, Dick van Zuijlen, Aylin Seçkin\u003c\/p\u003e\n\u003cp\u003eACCOUNTING\u003cbr\u003efinance@artdogistanbul.com\u003c\/p\u003e\n\u003cp\u003eManagement Address\u003cbr\u003eArtDog Istanbul Art Investments Inc., Evliya Çelebi Mah., Sadi Konuralp Cad., No: 5\/2, Nejat Eczacıbaşı Building, 34433, Beyoğlu \/ Istanbul T: +90 212 945 94 82\u003c\/p\u003e\n\u003cp\u003ePrinting Location\u003cbr\u003eKültür Sanat Basımevi ve Rekl. Org. San. Tic. Ltd. Şti., Litros Yolu 2. Matbaacılar Sitesi, ZB-7-9-11, Topkapı \/ Istanbul Certificate No: 44153\u003c\/p\u003e\n\u003cp\u003ePublication Type: Bimonthly, periodical. All rights to the articles and photographs in ArtDog Istanbul belong to the authors or ArtDog Istanbul. Unauthorized reproduction is prohibited.\u003c\/p\u003e\n\u003cp\u003eRelated products\u003c\/p\u003e","brand":"ArtDog İstanbul","offers":[{"title":"Default Title","offer_id":43143554203722,"sku":"AT0006","price":350.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/files\/ARTDOG-KASIM-ARALIK-KAPAK_jpg-min1-600x865.jpg?v=1765462901"},{"product_id":"artdog-istanbul-issue-32","title":"ArtDog Istanbul Issue 32","description":"\u003cp\u003e\u003cstrong\u003eJANUARY – FEBRUARY 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIssue 32 is Now Available!\u003c\/p\u003e\n\u003cp\u003eArtDog Istanbul January – February 2026\u003c\/p\u003e\n\u003cp\u003e“THE CENTER OF ART IS SHIFTING\u003c\/p\u003e\n\u003cp\u003eWHAT IS HAPPENING IN THE ARABIAN PENINSULA?”\u003c\/p\u003e\n\u003cp\u003eLETTER FROM THE EDITOR\u003c\/p\u003e\n\u003cp\u003eQuestions About Art and Its Center\u003c\/p\u003e\n\u003cp\u003eWe began this issue with a question: What is happening in the Arabian Peninsula?\u003c\/p\u003e\n\u003cp\u003eBut from the outset, it was necessary to acknowledge that this question alone does not describe a geography. It asks how the cultural center is shifting, under what conditions art becomes visible, which voices are rising while others are being suppressed. Therefore, instead of “describing” what is happening, we structured this issue by trying to understand this shift.\u003c\/p\u003e\n\u003cp\u003eThis was our starting point when we gathered the first sixteen pages of the magazine around a dossier.\u003c\/p\u003e\n\u003cp\u003eThe intellectual backbone of this dossier is Vasıf Kortun’s text titled “Notes from a History.” Kortun reminds us how the “East-West bridge” metaphor, which Turkish contemporary art has positioned itself with for many years, has become dysfunctional, and indeed problematic from the outset. Instead, he traces the horizontal, continuous, and politically more honest relationships established with the MENA region. Reading Istanbul’s transformation from a showcase or transit area to a de facto center of exiles, collaborative productions, and critical thought from this historical perspective offers a fundamental key to understanding the present.\u003c\/p\u003e\n\u003cp\u003eThe text that complements this framework from within, through experience, is our interview with Yahşi Baraz. Baraz describes the cultural transformation in the Gulf not as a “market expansion,” but as a space where power and prestige are reproduced through culture. The following sentence, central to the interview, clearly summarizes this approach: “Being able to say, ‘Come, let’s have a cup of tea at our museum,’ would overwhelm even the wealthiest businessman. As long as wealth coexists with culture and art, you will be the ‘richest.’”\u003c\/p\u003e\n\u003cp\u003eThe analyses in this issue titled \"What's Happening in the Arabian Peninsula?\" and the articles focusing on the cultural architecture of the Gulf show that this transformation cannot be explained solely by economic power. Art here is not merely ornamentation; it functions as a field that produces representation, prestige, and geopolitical positioning.\u003c\/p\u003e\n\u003cp\u003eThe artwork featured on the cover of this issue was chosen precisely in this context. The work you see on the cover is \"Notes for a Cannon\" by Palestinian artist Emily Jacir. Part of the \"we refuse_d\" exhibition at the Mathaf – Arab Museum of Modern Art in Doha, this work stands as a threshold that intensifies the exhibition's central theme. Curated by Nadia Radwan and Vasif Kortun, \"we refuse_d\" discusses how art can establish a space of persistence under conditions of censorship, suppression, and rejection. Jacir's work prompts reflection on how public voices—bells, warnings—are silenced, transformed, and how silence becomes political. That's why it's on the cover.\u003c\/p\u003e\n\u003cp\u003eSine Ergün's interview with the curators about the exhibition further sharpens the ethical dimension of this issue. The central question of how the claim of \"neutrality\" often transforms into a comfort zone, and where art truly stands and what it rejects, is central to this conversation.\u003c\/p\u003e\n\u003cp\u003eThis issue also adds a new and powerful voice to the magazine. Murat Daltaban is now a columnist for ArtDog. His article, titled \"20 Years of DOT and What Happened to Us in Istanbul,\" tells much more than just the history of a theatre company. It reveals, in a clear and sharp language, that independence is an attitude, even a way of survival, before it is aesthetics; and how theatre has become intertwined with Istanbul amidst the loss of spaces, urban transformation, and constantly shrinking areas. This text doesn't mourn a lost Istanbul; it calmly records the loss itself.\u003c\/p\u003e\n\u003cp\u003eIn the exhibitions section, Hale Tenger and Hera Büyüktaşcıyan look at the present through the lens of memory, absence, and fragility. These works remind us that art can still create space for reflection instead of providing hasty answers.\u003c\/p\u003e\n\u003cp\u003eAnd with this issue, we conclude an intellectual journey. Dick van Zuijlen's \"Just Asking\" series is here with its final installment. Accompanying the last four issues, these revolutionary writings, in which the author creates a model called AI and Zero, subtly argue that consistency is not an outcome, but a discipline of thinking.\u003c\/p\u003e\n\u003cp\u003eThis issue doesn't try to quickly explain what's happening. Instead, it continues to observe. Because perhaps the most appropriate attitude in today's rapidly changing world is to stand calmly in the face of complexity.\u003c\/p\u003e\n\u003cp\u003eHappy reading.\u003c\/p\u003e\n\u003cp\u003eŞebnem Kırmacı – Editor-in-Chief, ArtDog Istanbul\u003c\/p\u003e\n\u003cp\u003eCover: Emily Jacir, Notes for a Canon, 2016\u003c\/p\u003e\n\u003cp\u003eCover Design: Burcu Ocak\u003c\/p\u003e\n\u003cp\u003eIMPRINT\u003c\/p\u003e\n\u003cp\u003ePUBLISHER\u003c\/p\u003e\n\u003cp\u003eArtDog Istanbul Art Investments Inc. On behalf of\u003c\/p\u003e\n\u003cp\u003eBoğaçhan Buğra Kaya \u0026amp; Şebnem Kırmacı\u003c\/p\u003e\n\u003cp\u003eGENERAL EDITOR\u003c\/p\u003e\n\u003cp\u003eŞebnem Kırmacı\u003c\/p\u003e\n\u003cp\u003ePUBLICATION CONSULTANT\u003c\/p\u003e\n\u003cp\u003eTahir Özyurtseven\u003c\/p\u003e\n\u003cp\u003eMANAGER OF EDITORIAL SERVICE\u003c\/p\u003e\n\u003cp\u003eSibel Oral\u003c\/p\u003e\n\u003cp\u003eEDITORS\u003c\/p\u003e\n\u003cp\u003eSemra Dursun, Şeyma Elaman Üstün, Sine Ergün, İdil Sancar, Hatice Utkan Özden\u003c\/p\u003e\n\u003cp\u003eADVERTISING\u003c\/p\u003e\n\u003cp\u003eİpek Peker ipek@artdogistanbul.com\u003c\/p\u003e\n\u003cp\u003eMARKETING AND COMMUNICATION\u003c\/p\u003e\n\u003cp\u003eSıla Tanilli sila@artdogistanbul.com\u003c\/p\u003e\n\u003cp\u003eDIGITAL DESIGN\u003c\/p\u003e\n\u003cp\u003eBüşra Kaplan, Burcu Ocak\u003c\/p\u003e\n\u003cp\u003eCONTRIBUTORS\u003c\/p\u003e\n\u003cp\u003eFırat Arapoğlu Murat C\u003c\/p\u003e","brand":"ArtDog İstanbul","offers":[{"title":"Default Title","offer_id":43317288042570,"sku":"AT0007","price":350.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/files\/ArtDog_Istanbul_321-600x865.jpg?v=1771226848"},{"product_id":"art-in-flower","title":"Art in Flower","description":"\u003cp\u003e\u003cspan\u003eBased on Lindsey Taylor’s popular Wall Street Journal column ‘Flower School,’ on its surface this book demonstrates how Taylor creates stunning but achievable floral arrangements inspired by works of art. Riffing on works by a diversity of artists across mediums, periods, and styles, including Alice Neel, Jean-Michel Basquiat, Julie Mehretu, Sheila Hicks, Willem de Kooning, Georgia O’Keeffe, Frank Stella, Salman Toor, Pierre-Auguste Renoir, and Kerry James Marshall, among others, Taylor inspires readers to interpret the palettes, compositions, brushstrokes, and mood of the art in flowers, and shares florists’ trade secrets for building beautiful arrangements. Through this meditative practice of looking intently at art and nature, readers learn, in the words of David Hockney, ‘to really look,’ and to really see the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e23.6 x 2.5 x 28.5 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLindsey Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e258 page\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"data-table attributes-table\" height=\"5\" style=\"width: 100%; height: 10px;\"\u003e\n\u003ctbody\u003e\n\u003ctr data-id=\"30\" style=\"height: 10px;\"\u003e\n\u003ctd style=\"width: 98.2609%; height: 10px;\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Yirmiyedi Kuzguncuk","offers":[{"title":"Default Title","offer_id":43422825087050,"sku":"PT0126","price":2350.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/files\/17946-art-in-flower-71uid8h07jl-sl1500.jpg?v=1773840742"},{"product_id":"artdog-istanbul-issue-34","title":"ArtDog Istanbul Issue 34","description":"\u003cp\u003eA WORLD UPSIDE DOWN\u003c\/p\u003e\n\u003cp\u003eWhile preparing this issue, the same question kept swirling in my mind:\u003cbr\u003eWhy is cultural and arts publishing so difficult? Or rather, why is it so fragile?\u003c\/p\u003e\n\u003cp\u003eIn a region where freedom of expression is constantly debated, the ability of cultural and artistic productions and ideas to remain circulating is a vital issue. Perhaps that's why I feel so close to the idea of creating an independent publication. Not from romantic idealism; but because I believe that art and culture are as essential to a society as bread and water. Because culture and art are not just about \"having a good time.\" They are also one of the last areas where criticism, dialogue, memory, and the capacity for coexistence can be preserved. A form of existence.\u003c\/p\u003e\n\u003cp\u003ePerhaps precisely for this reason, this field is constantly under pressure. In Turkey, independent cultural and arts publishing often means more than just producing content; it means simultaneously struggling with economic crises, invisible labor, never-ending bureaucracy, power struggles, and structures that are far from understanding the nature of cultural production, interpreting everything only through the lens of self-interest and efficiency.\u003c\/p\u003e\n\u003cp\u003eThe last few years have taught me this very harshly. The recent experiences of ArtDog—and issues we absolutely must discuss openly when the time comes—have once again demonstrated how vulnerable arts and culture publishing is. In fact, this isn't just a matter for one publication; it's a structural problem we all need to address together. How can an arts and culture publication be built on solid foundations? What models can make this field sustainable? Is an independent arts and culture publication, free from profit motives, truly possible in this region?\u003c\/p\u003e\n\u003cp\u003eBecause arts and culture publishing cannot exist with a profit-maximizing mentality. This field survives through editorial intuition, ethics, independence, and trust built over time. A managing editor's job isn't just to select content; it's to determine the publication's conscience, tone, and relationship with the world. If this field becomes constantly open to interference, all that remains is an empty PR language. Arts and culture publishing must stand against precisely this.\u003c\/p\u003e\n\u003cp\u003eThis process also reminded me how vital solidarity is. A magazine isn't just about shares, companies, or numbers in charts. This is the sum of the tireless efforts of editors, writers, translators, designers, young art writers, masters, and unseen laborers. I am deeply grateful to everyone who has contributed to date. Because independent cultural and arts publishing is only possible with collective determination.\u003c\/p\u003e\n\u003cp\u003eToday, we need to rethink the issue of \"solidarity.\" But not as a romantic call for unity; rather, as a new cultural ethic built on responsibility, awareness of boundaries, and editorial independence. Without structures where everyone is responsible for their own field, rather than everyone interfering in everything, the sustainability of independent cultural production is impossible.\u003c\/p\u003e\n\u003cp\u003eThroughout this issue, we return to the same question in different articles: How can the field of culture and arts protect itself? Is organization possible in art? How can independent spaces survive? And perhaps most importantly: How can the creative and intellectual side of cultural production be protected from market dynamics and mindsets alien to the nature of this field?\u003c\/p\u003e\n\u003cp\u003eOn the cover of this issue, we feature an image from Florentina Holzinger's SEAWORLD VENICE, which came to prominence within the context of the Venice Biennale. The unsettling feeling created by a body hanging upside down almost perfectly summarizes how we feel about the world today: a world upside down. We are going through a period where not only politics and economics, but also institutions, values, cultural structures, and ways of living together are being shaken.\u003c\/p\u003e\n\u003cp\u003eCulture and art open a new language where people have stopped listening to each other. It preserves memory. It makes other possibilities visible. And sometimes it simply creates a small space where we can breathe.\u003c\/p\u003e\n\u003cp\u003eToday, I know this much better:\u003c\/p\u003e\n\u003cp\u003eNames may change. Structures may collapse. Companies may close. But cultural production done with true faith does not easily disappear. The point is to carry that spirit.\u003c\/p\u003e\n\u003cp\u003eWe will continue on our path. Because despite all its fragility, we still believe that this field is indispensable. And perhaps today, more than ever, we need to protect independent cultural and artistic spaces, to foster solidarity, and to hear each other's voices.\u003c\/p\u003e\n\u003cp\u003eHappy reading.\u003c\/p\u003e","brand":"ArtDog İstanbul","offers":[{"title":"Default Title","offer_id":43699603603530,"sku":"AT0009","price":650.0,"currency_code":"TRY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0560\/3826\/0810\/files\/KAPAK-02_page-00011-600x865.jpg?v=1781356408"},{"product_id":"artdog-istanbul-issue-33","title":"ArtDog Istanbul Issue 33","description":"\u003cp\u003eMARCH – APRIL ISSUE\u003c\/p\u003e\n\u003cp\u003e“I DIDN'T KNOW IT WAS THE HAPPIEST MOMENT OF MY LIFE”\u003c\/p\u003e\n\u003cp\u003eMoments in Our Lives\u003c\/p\u003e\n\u003cp\u003eThe cover features sunflower fields. From afar, the yellow light appears like the tranquility of the summer sun, but as you get closer, it leaves a subtle pang in your heart. 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A bag, a key, a cup, or a pair of shoes hold not lived moments, but often unlived possibilities. Memory here is constructed not with words, but with touched surfaces, with small objects kept. Perhaps that is why this issue doesn't just look at a series; it also questions the meaning of the collected objects, the hidden glances, the small acts of resistance against time.\u003c\/p\u003e\n\u003cp\u003eIn our interviews with the creative team of the series, a common sentence resonates: This story is not a period piece, but a timeless narrative. It's a world that allows each reader to carry a different trace of the novel, just as each viewer can construct their own memory from this story. 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The jury's justifications included criteria such as research-based journalism, content production that fosters critical thinking, efforts to make emerging artists visible, connections with the international art agenda, an inclusive editorial perspective, innovative use of digital platforms, and sustainable publishing practices. Each of these criteria was another way of expressing the publishing ethics that ArtDog has believed in since its inception.\u003c\/p\u003e\n\u003cp\u003eWitnessing İpek Duben's Honorary Award and Beral Madra's selection as Curator of the Year at the same ceremony held a special meaning for us. Without the paths they paved, the language of art we speak today would be different. This award may have been given to a magazine, but it actually belonged to a tradition of thought, an editorial conscience, a cultural space we built together.\u003c\/p\u003e\n\u003cp\u003eArtDog was founded in 2019, but it has decades of experience behind it. 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